A Suitable Boy Review (Spoiler-Free): Vibrant, Ambitious Adaptation

Immediately, BBC One’s new period drama A Suitable Boy depicts the many faces of newly independent and post-partition India in 1951. Episode one’s opening scene dives right into a vibrant traditional Indian wedding. The use of rich colour, beautiful music and the Lucknow setting blend to depict the optimism and beauty of India finding its freedom. It is a joyful celebration of Indian culture, introducing the viewer to an array of different personalities, from 19-year old Hindu Lata (played by newcomer Tanya Maniktala), whose rejection of arranged marriage differentiates her as a non-conformist, to the mischievous Maan (Ishaan Kaptur) and the anglicised Arun (Vivek Gomber), whose character reminds the viewer of the remnants of British colonial rule in India (an Indian, he remarks ‘Look around you, a sea of brown’ to which his brother replies ‘Just like us.’).

As the first episode goes on, the family connections become easier to grasp, but at first the sudden introduction to so many characters is overwhelming. Nonetheless, the opening sequence exerts a chaotic energy, depicting the many faces of India and therefore the struggle for India to unit and find its own unified identity.

As a novel, Vikram Seth’s 1993 A Suitable Boy is 1349 pages, making it one of the longest books ever published in the English language. It depicts four different families over 18 months as India prepares for its first ever national election in 1952. The plot focuses on a love affair between a Hindu girl and Muslim boy, against the backdrop of clashes between Hindus and Muslims during this turning point in India’s history. The novel expresses the complexities of Indian characters finding their individual identities while India grapples for its own. Veteran adapter Andrew Davies (War and Peace, Les Misérables) wrote the screenplay with acclaimed Indian filmmaker Mira Nair directing, both taking on the ambitious task of doing justice to this well-loved novel.

The sheer length of the book makes any TV adaption brave and bound to be incomplete, as cramming over 1000 pages into just six hours of television is an impossible task. Consequently, the first episode dives right into the story and moves quickly, resulting in it feeling rushed. In the early scenes, exposition is prioritised over naturalism, with one of Lata’s first lines revealing her disapproval of arranged marriages, immediately establishing her as someone who will rebel against her family’s wishes. The first episode tries to do too much, the storyline continuously jumping from the Mehras to the Kapoors to the Khans, which initially makes it hard to follow. However, by the second, the pace slows down, the plot is much easier to follow and we start to feel clearer connections to the characters.


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